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  • Ink Spots Covered by AI: Whose Work Is It Anyway?
    by Elliot Zimmerman on August 13, 2025 at 5:33 pm

    The Artistic Vision: A Fusion of Past and Future Just dropped a reimagined version of The Magic of You, a tune I wrote and released with The Ink Spots over 40 years ago. This redux features Kalina, an AI-generated artist born from Mark Seidenfeld’s Papua New Guinea “Mud Queen” photography. Her face and voice were synthesized using Suno (audio) and Pixnova (visuals). The result? A surreal blend of nostalgia and cutting-edge tech, now live on Continue reading Ink Spots Covered by AI: Whose Work Is It Anyway?→

  • AI-Updated Music?
    by Elliot Zimmerman on August 11, 2025 at 6:13 pm

    🔒 Know Your Rights. According to the U.S. Copyright Office (88 Fed. Reg. 16,190, March 16, 2023): Human authorship is required for copyright protection—even with AI involvement. Good news: You can protect your AI-enhanced tracks—if your creative input is significant. ✅ Protect Your Copyright: Do This Now AI-generated elements cannot be copyrighted. But your artistic choices—vocal performances, mixing, editing, and direction—can and must be protected. When registering: This keeps your registration valid and enforceable. 💰 Continue reading AI-Updated Music?→

  • When AI Meets 1938: A Musical Warning from the World’s Fair
    by Elliot Zimmerman on August 8, 2025 at 4:29 am

    Twelve years ago, I created a musical track called Cyber Me Baby using, ironically, full computer assistance and virtual instruments to rescore Max Fleischer’s 1938 cartoon All’s Fair at the Fair. Note, Fleischer produced the Betty Boop and Popeye cartoons. Given my current work advocating for human review of AI systems, the irony wasn’t lost on me then, and it’s even sharper now. Watch my creation: https://www.youtube.com/watch?v=zlOPeDSDO9w&ab_channel=ElliotZimmermanOriginal 1938 cartoon: https://www.youtube.com/watch?v=LAFqAbrPKxQ&pp=0gcJCfwAo7VqN5tD The 1938 Crystal Ball Fleischer’s Continue reading When AI Meets 1938: A Musical Warning from the World’s Fair→

  • Uploading Photos to a “Cheater Check” Service
    by Elliot Zimmerman on July 19, 2025 at 7:45 pm

    SummaryThis report examines the legal implications of uploading another’s photo to a “cheater check” service without his consent. These services use facial recognition technology to search dating platforms for matching profiles. The legality of this practice varies significantly based on jurisdiction, applicable privacy laws, the nature of the photograph, and how the “cheater check” service processes biometric data. The analysis considers privacy laws, biometric data regulations, copyright considerations, and potential civil liability.Understanding “Cheater Check” ServicesWhat Continue reading Uploading Photos to a “Cheater Check” Service→

  • Tectonic Drift Beat Maker Infringement?
    by Elliot Zimmerman on June 16, 2025 at 10:23 pm

    Hypothetical Facts: Tectonic Drift Questions Posed Brief Legal Analysis 1. Fair Use vs. Derivative Work Answer: Likely a derivative work, not fair use. While MIDI conversion adds a layer of abstraction, the beatmaker is still using the fundamental musical elements (rhythm, structure, harmonic progression) from the original. The transformation is primarily technical rather than creative or commentary-based. Courts typically require more substantial creative transformation for fair use protection. 2. Sound Recording Infringement (§114) Answer: Probably avoids SR infringement. Continue reading Tectonic Drift Beat Maker Infringement?→